INGA BACHMANN can be easily pidgeonholed - if the pidgeonhole is big enough and you
are willing to constantly stick a different label on it. The all-round singer songwriter from
Heidelberg does as she pleases - and that is very entertaining and surprising indeed and
anything but boring.
INGA BACHMANN moves swiftly through her own musical and poetical universe. From
melancholical to snappy, from humourous to odd: With a sense of lyrical ambiguities and full
of wit, she exposes the abysses of everyday life, leads us safely through the deep waters of
melancholia and illuminates from different angles the life we supposedly knew.
One could let go, let oneself be led by her soft voice, her poetical images, her stage
presence. But careful! Behind the next corner lures the rude awakening when the lyrics
unfold their effect: a double bottom which can only be seen at second glance, a laugh that
sometimes gets stuck in your throat. But not to worry: In the end, all is well. And if it’s not
well, it’s not the end.
For all that must be said is more than we are lacking words.
"eigenwillig, tiefgründig und direkt" (RNZ)
"Möchte ihre musikalische Sinnlichkeit doch sämtliche Schmetterlinge im Bauch flattern
lassen, besingen ihre Texte dagegen eher ihren Ausflug" (RNZ)
"Mit Biss, Witz und Melancholie scharf gewürzt" (Rheinische Post)
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